Lynn Hershman Leeson

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The following is an archive of written works related to Lynn Hershman Leeson’s career, important exhibitions, and Civic Radar, the most comprehensive exhibition and catalogue of her work to date. It also includes a selection of essays that expose the philosophical underpinnings of Hershman Leeson’s work, written by the artist herself. Text from earlier in the artist’s career is being added over time.

By Rachel Wetzler in Art News

"In 1968 the artist Lynn Hershman Leeson (then known as Lynn Hershman) began publishing art criticism under the guise of three invented personas: Gay Abandon, Herbert Goode, and Prudence Juris. Each “critic” had his or her own style, ...

The Invisible Artist: Lynn Hershman Leeson’s Multiple Personalities

By Mat Smith in Artspace

"In this installation, you sit in “Lorna’s apartment” and watch a TV on which an apparently agoraphobic woman is shown applying makeup and going about her daily tasks. Flip through the channels, and you might even come across her fiddling ...

5 Key Works That Chart the Digital Art Revolution

By Steven Poole in The Guardian

"A wall of TV monitors, a face pixelated in Mondrian colours, a playful selfie … we may all be artists in the social media age, but, as a new exhibition reveals, visual artists were the original tech heads."

Together in Electric Dreams: How the Art World Embraced Modern Technology First

Published in Art News

"In recent years, the New York and San Francisco-based artist has drawn increasing attention for her decades of perennially fresh encounters between technologies and bodies. Her last New York show was in 2008 at bitforms, which specializes ...

Lookout Highlights of 2015

Written by Lynn Hershman Leeson

"Cyborgian mythology was reborn with a vengeance when, as recently as 1995, live cells were placed in 3D bio printers. When living cells were first placed within ink cartridges (the same ones used in photo printing) they developed ...

The Terror of Immortality

By Joanna Kavenna in New Scientist

"An exhibition asks hard questions of the relationship between humans and machines."

Artist Lynn Hershman Leeson Records the Advance of Our Robot Overlords

By Karen Archey in ArtReview

"Her work appears to be a decades-preceding preamble to much of what is being produced in New York, Berlin and London today…."

Lynn Hershman Leeson

By Lilly Wei in Studio International

"A dedicated feminist who came of age in the tumult of the 1960s, Lynn Hershman Leeson was born in 1941 in Cleveland, Ohio, and is now based in New York and San Francisco. She is an influential new media and performance artist ...

Lynn Hershman Leeson: Civic Radar

By Holland Cotter in The New York Times

"The micro-survey of Lynn Hershman Leeson’s art at the new Bridget Donahue Gallery is a tip-of-the-iceberg event with the potential force of a stealth explosive. Ms. Hershman Leeson began her career in the San Francisco Bay ...

Lynn Hershman Leeson: ‘Origins of the Species’

Written by Lynn Hershman Leeson

"Today’s technological heat has birthed self-replicating data bodies. Cloned presences designed to morph and feed on, cannibalize information. Much of the art that depicts the body as sacrificed and objectified desire has ...

Some thoughts on the Data Body

Written by Lynn Hershman Leeson

"Recently, on my birthday, a friend suggested that ideally we should all live our lives backwards, and eventually reclaiming our birthright of a celebratory orgasmic explosion. But before all that, of course is seduction. Life ...

Rhizome

Written by Lynn Hershman Leeson

"Teknolust is a contemporary Frankenstein story, with gender reversals. While Mary Shelley was the first to write about how Artificial Intelligence animated through electricity as a monster, Teknolust, focuses on bio-technology, ...

Teknolust Director’s Statement