Lynn Hershman Leeson

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The following is an archive of written works related to Lynn Hershman Leeson’s career, important exhibitions, and Civic Radar, the most comprehensive exhibition and catalogue of her work to date. It also includes a selection of essays that expose the philosophical underpinnings of Hershman Leeson’s work, written by the artist herself. Text from earlier in the artist’s career is being added over time.

By Haley Weiss in Interview Magazine

“Hershman Leeson is also often framed as a “predictor,” an artist who sees our forthcoming faults, but beyond her role as a technical pioneer in digital art, it’s perhaps more accurate to describe her as an astute reflector."

Lynn Hershman Leeson in New York

By Blake Gopnik in Artnet

"The videos and installations of Lynn Hershman Leeson, which went on view last weekend at Bridget Donahue gallery in New York, are painful things. A piece called Home Front asks viewers to look at a video through the window of a ...

Lynn Hershman Leeson Makes Art From Life’s Challenges

By Olivia B. Murphy in Art Slant

"During a gallery walk-through, Hershman Leeson carefully explains how she came upon the diverse technological modes she has worked with. More often than not she was ahead of the curve, and yet her name is not synonymous with the ...

Digital Pioneer Lynn Hershman Leeson Walks Us Through Her Groundbreaking Firsts

By Lida Bach in Movie Break

“Their conversation is not concerned solely with the immediate fright of incarceration, but with the mechanisms of state censorship and propaganda. Politics becomes a performance in front of the audience, whose staging was more complex ...

Movie Break

Published in The New Yorker

"This selection of absorbing interactive and video works spans four decades in the career of the American artist, a feminist trailblazer who exploits new technologies in provocative ways. The interactive videodisk “Lorna,” from ...

Goings On About Town: Lynn Hershman Leeson

By Chloe Wyma in Artforum

“But Hershman Leeson’s avant-garde technologism is cut with camp, horror, and feminized abjection, undergirding an eerie feeling that interactivity is as much about capture and control as it is about activation and agency."

Critics Picks

By Alexxa Gotthardt in Artsy

"At one point or another, everyone wants to become someone new. Maybe don a wig, adopt a new name, or adjust your personality. If David Bowie could seamlessly transform into Ziggy Stardust, and Beyoncé can metamorphose into Sasha ...

From Joan Jonas to Theaster Gates, These 8 Artists Fooled the Art World With Alter Egos

By Holland Cotter & Roberta Smith in The New York Times

"Indespensible books arrived, among them “Civic Radar,” by Lynn Hershman Leeson, accompanying her retrospective at ZKM/Center for Art and Media in Karlsruhe, Germany."

The Best Art of 2016

Published by United States Artists

"Over the last three decades, artist and filmmaker Lynn Hershman Leeson has been internationally acclaimed for her pioneering use of new technologies and her investigations of issues that are now recognized as key to the working ...

2016 USA Fellow for Innovation and Accomplishment in the Arts

By Robbie Harris on Radio IQ from WVTF

"Lynn Hershman-Leeson has been called one of the world’s most influential media artists and a pioneer of feminist art. Her works explore the effects of modern technology on the self - particularly the female self."

Portrayal of Women in American Culture

By Izabella Scott in Artsy

"In North America, artists from the older feminist guard also took to the web. The new media pioneer Lynn Hershman Leeson had been developing an alter ego throughout the 1970s, named Roberta Breitmore, who she brought into existence ...

A Brief History of Cyberfeminism

By Orit Gat in Frieze

"Lorna is proof of how ahead of her time Lynn Hershman Leeson has always been, and how current she still is. Made in 1983, the piece is an interactive video installation that sees viewers make decisions for Lorna, an agoraphobic woman who ...

Critics Guide: London