Two other works in the show, Lynn Hershman Leeson’s CybeRoberta (1995-96) and Tillie, the Telerobotic Doll (1995-98), are a pair of toys with concealed surveillance cameras that can be controlled by visitors in the gallery or online, sending videos of their surroundings—including images of museum visitors—to the dolls’ websites. The dolls are “a little creepy” to a lawyer, Baletsa said, cautioning that visitors would need to be put on notice that they could be videotaped and their images broadcast around the world. The ICA has done just that, De Blois said, through notices and museum staff in the galleries. What about unlawful wiretapping, if a visitor’s phone conversation is recorded? “The dolls do not record audio,” De Blois confirmed.
The Dark Web, Surveillance Dolls and Van Gogh’s Zombie Ear: Technology’s Role in Art Debated at Boston Conference
Apr 26, 2018
The Art Newspaper