Much of the early work in the show, like the technology itself, simply did not age well. In the ’70s it may have been a marvel to generate a drawing using computer code, but that sense of awe has long dried up. One notable exception is “Lorna,” 1979-’84, an interactive video installation by Lynn Hershman Leeson that invites viewers into the life of Lorna, a woman suffering from agoraphobia. The installation mirrors Lorna’s room as seen on TV. The objects around it – a goldfish bowl, cheetah-print heels, a wallet – are listed on the TV screen as options in a choose-your-own adventure via remote control. Each choice leads to different video clips that are equal parts surreal and film noir. The branching narrative can unfold in a number of ways, but there are only three endings: death, escape, or destroying the TV. Leeson offers an expansive commentary on our mediated existence and how we’re all, especially women, stifled and subjugated by forces beyond our control.