In partnership with the 2024 Getty PST ART initiative, the UC Irvine Beall Center for Art + Technology is proud to present Future Tense: Art, Complexity, and Uncertainty. The exhibition will feature emerging and established contemporary artists whose interdisciplinary practices investigate complex systems, including evolutionary biology, global warming, neuroscience, data surveillance, and robotics. Churning between order and chaos, complex systems exhibit dynamic, uncertain, and unpredictable behavior and are characterized by feedback loops, self-organization, and emergent, spontaneous behavior. In paintings, drawings, kinetic sculptures, installations, and videos, Future Tense will offer artistic frameworks for apprehending complex issues faced in the 21st century, from scales microscopic to planetary.
Future Tense will exhibit new work by Laura Splan, Chico MacMurtrie, Hege Tapio, Gail Wight, and Lucy HG Solomon & Cesar Baio collective. Their interdisciplinary artistic research was commissioned by the Beall Center’s Black Box Projects residency program, a groundbreaking incubator of art-science innovation founded by Artistic Director David Familian in 2013. Works by Ralf Baecker, Lynn Hershman Leeson, Fernando Palma Rodríguez, Julie Mehretu, Pinar Yoldas, Clare Rojas, Carolina Caycedo, David de Rozas, and Theresa Schubert will be included alongside those of resident artists.
Future Tense engages the field of Complexity Studies, an evolution of cybernetic thought which emerged in order to study dynamic systems behavior. Where traditional scientific inquiry sought to predict universal phenomena, complexity studies seeks instead to mathematize the uncertainty of the universe and to chart intersections amongst neighboring systems–how, for example, digital expansion affects global temperature increase (Theresa Schubert), or how ocean acidification spawns rapid evolution within aquatic microbial communities (Gail Wight). Many today believe the complexity framework to be vital to studying a world whose issues are too entangled to be solved or apprehended individually. “We can no longer afford to try to control nature,” says exhibition curator David Familian, “but must learn to live within it.”
“The exhibition invites audiences to experience how complexity functions within individual works, and also to appreciate the wonder and aesthetics of their implicated systems,” says Familian. “Ultimately, Future Tense offers interdisciplinarity, collaboration, and systems thinking as a means of solving the vexing and unpredictable problems which plague our world.”
The opening of Future Tense follows a series of recorded and publicly-accessible symposia organized amongst exhibition artists, collaborative scientists, and guest lecturers since 2021. Programming will be developed into university curriculum and K-12 educational material, intended to expand access to the sciences and the arts.
Organized by Beall Center Artistic Director David Familian, Future Tense: Art, Complexity, and Uncertainty will be on view from August 24, 2024, through December 14, 2024. Artist talks, walkthroughs, workshops, and performances will be presented in conjunction with the exhibition through its runtime. The Beall Center is free admission and open to the public during the academic year Tuesday – Saturday from 12 noon – 6 p.m.. Check here for holidays and other closures.
The exhibition of Future Tense at the Beall Center will be complemented by a satellite installation at the AlloSphere Research Facility at UCSB, a multimedia venue which places visitors in the center of a 360˚ spherical screen. Here will be mounted Sketches of Sensorium, the last work of art conceived by the late Newton Harrison (1932-2022), considered by many to be a founder of environmental art and a pioneer of complex thinking. Sketches of Sensorium is an interactive environment that models how various factors–including deepwater fishing, atmospheric particulate concentrations, weather patterns, and other forms of natural and human activity–interact to create complex and unpredictable oceanic conditions. Realized with a team of artists, scientists, and mathematicians, this project unveils larger apparatuses of political, environmental, economic, and social powers which exert their influence on the world’s oceans.
Please join us on Friday, August 23 from 10 a.m. – 12 noon for a press preview event. For more information and to RSVP, please contact Jaime DeJong at jdejong@uci.edu for logistics and parking.