In this way, the gaze in Hershman Leeson’s work frequently aims to alternate between object and viewer, even if her primary subject is representations of the female body via technology and performance. Lorna features both of these with its choose-your-own-adventure format that tracks a woman who suffers from agoraphobia. A video installation in which the objects in the gallery directly mirror the ones on screen (right down to the goldfish in a small bowl) establishes a feedback loop—as many of Hershman Leeson’s works seek to do—between reality and its representation. Sitting in front of a television, viewers select with a remote control the chapters originally stored on a LaserDisc (now on DVD).
Lynn Hershman Leesons “Remote Controls”
Mar 9, 2017